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Baker and Composite

In this last part of the tutorial, understand the options offered by the Particle Baker. Jean-Loïc also shares the settings he's put into the Kill node in order to not have any visible raindrops at the ship level, and addresses a way to solve a depth rendering issue of the particles, if you encounter it.

About the Author

Jean-Loic Fontaine

Jean-Loic Fontaine

Concept Artist

Burrito Studio


Jean-Loic Fontaine

Video Transcript

Hi, this is Jean-Loic Fontaine, showing you how to use the gravity system in Toon Boom Harmony 12. And this is the last video of the tutorial. In the last video, I covered how to use basic gravity-based particle system and a basic particle system to create rain fall and rain drops in the sea. And in this last video, I want to show a bit more how to composite the image especially by showing you the Particle Baker in each particle system. You can control the way the particles are composite by playing with those settings.

Seed setting here is to create randomness. Let's say you were to copy another same system, you could put another seed in order to create another scene of randomness in the particle generation. Not to have two identical copy. Simulation Quality, I always set it to normal. Number of Pre-roll Frames, that's very interesting. In that case of the rain, if I was to put that number to 0 at the beginning of the video, I will see no rain in the picture, and I will see my rain appearing in the picture as it falls down. By pressing 100 here, I ask Harmony to pre-calculate an under frame before launching the video. That way, I can already start with rain falling in the screen.

Here, Maximum Number of Particles, by default, set to 10,000. I had to crank it up a bit for that simulation because there was a lot of rain required. I put it to 50,000. What it will do is that if you reach, let's say, 50,000, it will stop generating any particle and sometime that is an effect that is desired. But in this case, it wasn't. So this is pretty much it for the Particle Baker. Just to say, I am copying that system again, here in front of the ship, just to make a bit more depth in the picture. I just add a kill node asking the kill node to kill the rain at 18th frame, that way it wouldn't go down in the screen. This is how I apply the effect of not having rain in front of the ship.

Last but not least, working in the perspective tab like that, I often have problems with the rendering of the particle especially with the particle in front. You've got to render behind the ship. And in order to solve that problem if you have it because it's not always the case, you can go to composite setting, and I found that setting my input ordering to 2D instead of 3D flat made the layering strategy way more easier for me at least. I know that by default, set for 3D flat because it's a bit more powerful, but I often find that it creates a bit clumsy situation that is hard to understand, so I tend to put it in 2D. And that's it for the particle system. I'll provide the entire scene for you if you want to play in it as well as a video of the final result, that we can take a look again. This is the final result of the particle simulation in Toon Boom Harmony 12.